Elizabeth Stuelke

My paintings spring from a place where I feel color and texture. My work reflects my love of Rothko and Turner, taking bold colors, alive with fire from within, coupled with flowers, soil, and sky, in an imagined landscape with a brutal atmosphere or luminous lights, becoming a place that is at once imagined and possible.

Painting is my latest expression, where I am beginning to explore the emotional presence of nature through color, texture, and the physical act of painting. Rather than aiming for strict realism, I focus on the feeling of a landscape—the warmth of a late afternoon sky, the vibrancy of flowers in bloom, and the quiet openness of a horizon.

I work with thick layers of paint and build texture, so surfaces become almost sculptural. Raised strokes and ridges catch the light and create natural highlights, allowing the materiality of the paint itself to become part of the image. This tactile quality is central to the work; the paintings reflect the movement and energy of my hand as I create them.

Color plays a strong emotional role in my process. I am drawn to warm palettes—reds, oranges, and yellows—that evoke warmth, vitality, and a sense of optimism. Balanced with cooler blues and purples in the distance, depth is created while maintaining a sense of calm. The contrast between softly blended skies and textured flowers allows the atmosphere of the scene to coexist with the physicality of the painted surface.

My compositions center on flowers or simple landscapes, with simplified forms that emphasize presence rather than detail. A single bloom may stand boldly against an open sky, while a field of flowers creates rhythm and movement across the canvas. These forms are intentionally direct and approachable, inviting the viewer to experience the scene through color, light, and gesture rather than precise representation.

Ultimately, my work is the joy of painting and the emotional resonance of the natural world. With expressive brushwork, layered color, and textured surfaces, I aim to create images that feel warm, hopeful, and slightly dreamlike—moments where nature is both familiar and deeply felt.

Resumé

I am new to painting! And I love it. My expression in paint follows my exuberance for my strong, determined flowers, sunsets, glowing color and I will be following them into the future and I hope to be able to do that as part of the State of the Art Gallery.

I am not new to the arts or exhibitions. I have curated many shows for art and writers with LINK: A Critical Journal On The Arts in Baltimore and the World. One with dual exhibits in Baltimore and NYC. And I would love to help the State of the Art Gallery with selection for and the mounting of their exhibitions, as a new member.

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8 Responses

  1. Although there are interesting images in Elizabeth’s work, I think she needs more experience painting before we consider her for the gallery.

  2. This work is not of our respected quality. It doesn’t resonate in any way to me. I admire her courage for submitting to us but I wouldn’t consider her ready to be a member. Perhaps in the future?

  3. This work has an interesting “beginning to explore” feel to it. I believe another year or so of painting will result in a much stronger body of work in both technique and concept.

  4. She admits that she is new to painting. I think we should encourage her to continue to follow her passion and develop her skills and experience as an artist.

  5. Elizabeth’s statement “I am new to painting” says it all. Let’s encourage her to keep painting and learning.

  6. Both the images and the way she talks about her art seem very immature. I can’t see voting for her at this stage. She feels like just a beginner.

  7. I think this applicant needs to have more experience and body of work before we can really consider her.

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